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    • Ardclach Bell Tower
    • The Ghost of Ardvreck Castle
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    • The Brodie Pontifical
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    • Coinneach: the Brahan Seer
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    • Phantom Train of Dunphail
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    • The Highland Pony
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    • Laidhay remembered
    • LS Lowry and Caithness
    • Lochindorb
    • Mary Ann's Cottage
    • The Orkney Energy Community
    • Orkney Sea Monsters
    • Sandwood Bay Legends
    • A simple, happy life
    • The Skaill House Ghosts
    • Skekling
    • Smuggling and Illicit Distilling
    • Teddy Banjo, Teuksy and Wick Wivies
    • The genius of Thomas Telford
    • Traveller Beware
    • White Wife of Watlee
    • Christmas in Wick
    • The Wulver of Shetland

Every picture
​tells a story

Mother and Grandmother

Picture
"Just look at my mother's face!  Just look at it!  It says it all!  Clearly, clearly, my grandmother has done that many times before so she could be the centre of attention.  My mother's face says it all.  Of course, you see, my mother wasn't supposed to get married; she was supposed to stay at home and look after her.  And that's not long before she married my father.  Honestly, just look at my mother's face!"


Photo elicitation as a method

Photo elicitation is a method often used with digital heritage and storytelling and, simply, uses images to encourage discussion and storytelling either online or as part of an interview methodology.  The image is normally used with relatively minimal background information beyond a caption (and sometimes not even that).  It can be a particularly powerful method for eliciting quite deep and often visceral responses and stories. 

The photograph above was used in a story gathering interview with a Viscountess about her grandmother, an extremely elegant society figure from the 1930s; the two women in the centre are her mother and grandmother respectively.  It was introduced to the conversation only as 'And this was in 1947'.  The immediate reaction of the interviewee was the quote given above, a fairly powerful and affective reaction to a photograph she had never seen before.  The two hour interview was based around images and photographs being used as a tool for reminiscence and memoir, and yield results (stories) of extraordinary richness and depth, demonstrating strong emotional responses and reactions.  

​Every picture tells a story.   
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  • Home
  • Storytelling Workshop
  • 100 THINGS
    • Submit a thing
  • What makes a good story
    • Every picture tells a story
    • Landscape as a storyteller
    • How an object tells a story
    • Spoken Word
  • YOUR STORIES
    • Ardclach Bell Tower
    • The Ghost of Ardvreck Castle
    • Big Grey Man of Ben Macdui
    • The Black Shadow
    • The Brodie Pontifical
    • The Brora Coalfield
    • The Burghead Bull
    • Caithness Dialect
    • Carbisdale Castle Clock
    • The Burning of the Clavie
    • Coinneach: the Brahan Seer
    • Culbin
    • Ghostly Shinty at Dalarossie
    • The Dounreay Dalek
    • The Dwarfie Stane
    • Phantom Train of Dunphail
    • Greenmire
    • Highland Ghost Stories
    • The Highland Pony
    • Hogmanay Bonfire at Pulteneytown
    • The Hydrogen Story
    • Laidhay remembered
    • LS Lowry and Caithness
    • Lochindorb
    • Mary Ann's Cottage
    • The Orkney Energy Community
    • Orkney Sea Monsters
    • Sandwood Bay Legends
    • A simple, happy life
    • The Skaill House Ghosts
    • Skekling
    • Smuggling and Illicit Distilling
    • Teddy Banjo, Teuksy and Wick Wivies
    • The genius of Thomas Telford
    • Traveller Beware
    • White Wife of Watlee
    • Christmas in Wick
    • The Wulver of Shetland